Dance Review - Los Angeles Times

The 73rd Academy Awards had all the elements of its best films--winning stars, a fast pace and a suspenseful ending. Best picture nominees “Gladiator,” ’Crouching Tiger” and “Traffic” each

seemed in the running for the top prize right up until the end with four Oscars apiece. But it was “Gladiator,” a tale of revenge in ancient Rome that recalled the sword-and-sandals epics of

the past, that was named best picture of the year. Double nominee Steven Soderbergh won as best director for “Traffic,” becoming the first double nominee in the same category to win; he was

also nominated for “Erin Brockovich.” The one award that was least surprising went to Julia Roberts, who took home the statuette for the title role as in “Erin Brockovich.” Roberts,

Hollywood’s biggest female star, was nominated twice before for “Pretty Woman” (best actress) and “Steel Magnolias” (supporting actress), but did not win. She was the odds-on favorite this

time, after getting the Screen Actors Guild award, a Golden Globe and a number of critics awards. “I have a television, so I’m going to spend some time here to tell you some things,” she

said, a response to host Steve Martin’s mention that the Academy would give a high-definition TV to the person who made the shortest acceptance speech. Then, looking down into the pit where

conductor Bill Conti was ready to strike up the orchestra, she added: “And sir, you are so quick with that stick, so why don’t you sit because I may never be here again.” The popular actress

thanked dozens of people, including her director. “Steven Soderbergh, you truly just made me want to be the best actor that I suppose I never knew I could be or aspired to.” And finally,

apparently on the verge of tears, she squealed a loud laugh and shouted, “I love the world! I’m so happy! Thank you!” Russell Crowe won the best actor Oscar for “Gladiator,” in which he

played a general of the Roman Empire who avenges the murder of his family as a gladiator in the Coliseum. Crowe, an Australian who was nominated and lost last year for “The Insider,” said,

“You know when you grow up in the suburbs of Sydney or Auckland or Newcastle like [“Gladiator” director] Ridley [Scott] or Jamie Bell [of “Billy Elliot”), or the suburbs of anywhere, a dream

like this seems vaguely ludicrous and completely unattainable. But this moment is directly connected to those childhood imaginings. And anybody’s who’s on the downside of advantage and

relying purely on courage, it’s possible.” Throughout the evening, the award tally shifted back and forth among “Gladiator,” and “Crouching Tiger, Hidden Dragon” and “Traffic.” Art director

Tim Yip won the first award of the night, for recreating ancient China in great detail for “Crouching Tiger, Hidden Dragon.” The Chinese-language film not surprisingly went on to win the

best foreign film Oscar, but also scored in other categories. After “Crouching Tiger” cinematographer Peter Pau won, he rattled off a list of mostly Chinese names in his thank you speech,

calling his award “a great honor to me and to Chinese people all over the world.” And Tan Dun, who won best original score, said, “Tonight I see boundaries being crossed.” “Gladiator” won

for its costume design by Janty Yates; best sound by Scott Millan, Bob Beemer and Ken Weston; and visual effects by John Nelson, Neil Corbould, Tim Burke and Rob Harvey. The awards for

supporting roles went to first-time nominees Marcia Gay Harden and Benicio Del Toro. Harden won for her portrayal of artist Lee Krasner in the low-budget film “Pollock,” directed by her

co-star and fellow Oscar nominee Ed Harris. Harden’s on-stage acceptance speech was brief, but backstage she explained to reporters, “As an actress who came up in New York City in the

theaters, waiting tables and all of the above, I never dreamt of this. I swore that if I ever won an Oscar I would thank all the waiters and waitresses who used to cover my shift for me so I

could run downtown on the subway and audition. With 45 seconds you just can’t give it to the waiters.” Del Toro won for his performance as a dedicated and honest Mexican cop in Tijuana in

“Traffic”--a role that earned him a best leading actor award from the Screen Actors Guild. Del Toro is also the second actor to win an Oscar for a role performed primarily in a foreign

language. Robert DeNiro won for his mostly Italian part “The Godfather II.” Del Toro also may be remembered as the only actor ever to dedicate his Oscar to the locations where the film was

shot, Nogalas, Ariz. and Nogalas, Mexico. “As an actor, the location is so important and the people were so humble, so beautiful that it really made it easy for me to get into it,” Del Toro

said backstage, “And I think it helped all the actors and I think it helped the film.” “Traffic,” which wove together three stories about the drug trade in the U.S. and Mexico, also got the

Oscar for best editing, which went to Stephen Mirrione and best adapted screenplay. Stephen Gaghan adapted “Traffic” from a British television miniseries. Writer director Cameron Crowe won

the original screenplay Oscar for “Almost Famous,” the only award given to the critically acclaimed film. Jon Johnson got the sound editing Oscar for his work on the submarine action movie,

“U-571.” Bob Dylan, who performed via satellite from Australia, won for his original song, “Things Have Changed” from the film “Wonder Boys.” Famed makeup artist Rick Baker and Gail Ryan won

for “Dr. Seuss’ How the Grinch Stole Christmas.” Perennial nominee Baker has won five times before for “Men in Black,” ’The Nutty Professor,” ’Ed Wood,” ’Harry and the Hendersons” and “An

American Werewolf in London.” It was Ryan’s first nomination. The Academy also handed out three honorary Oscars, the first to legendary cinematographer and director Jack Cardiff, who has

been working in films for more than 70 years. Cardiff said the award was a dream come true. “This has to be a dream,” he said, cradling the golden statuette. “I often dream I’m working on a

movie. This one tonight is a biggie. I mean, God, all these film extras, and black tie, that’s extra. God, we’ll be over budget. It’s a nightmare. And this wonderful Oscar. It’s not real.

It’s special effects. It’s amazing, isn’t it? All right, I’m not dreaming. But it’s mighty close.” The Irving Thalberg Award Went to 81-year-old producer Dino De Laurentiis, who worked with

some of greatest filmmakers of Italian cinema including Federico Fellini and Roberto Rosselini, before coming to Hollywood to produce. De Laurentiis worked on 600 films during his career,

from kitsch to hits. “I must say I’ve been very lucky in my life. Three continents, different cultures, through good times and not-so-good times--but today wonderful times--I had the

privilege to work with the greatest masters of film. Let me dedicate this happy hour to the Italian film industry with the hope they come back alive with new talent and fresh ideas.”

Legendary screenwriter Ernest Lehman, who’d been nominated five times for Academy Awards but never won, got an honorary Oscar as well. He urged producers and studios to remember that “a film

production begins and ends with a screenplay”--a remark that hit home as the Writers Guild of America prepares for a possible strike in May. Florian Gallenberger won his first Oscar for

best live-action short, “Quiero Ser (I Want to Be ... )” and Michael Dudok de Wit, nominated once before, one for his animated short, “Father and Daughter.” Tracy Seretean won the Oscar for

best short subject documentary, “Big Mama.” Mark Jonathan Haris and Deborah Oppenheimer won for “Into the Arms of Strangers: Stories of the Kindertransport,” a documentary about Jewish

children sent by their parents to England so that they might survive the Holocaust. (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) Top Awards Best Picture: “Gladiator” Best Actor: Russell Crowe,

“Gladiator” Best Actress: Julia Roberts, “Erin Brockovich” Best Director: Steven Soderbergh, “Traffic” Best Supporting Actor: Benicio Del Toro, “Traffic” Best Supporting Actress: Marcia Gay

Harden, “Pollock” Best Foreign Film: “Crouching Tiger, Hidden Dragon” (BEGIN TEXT OF INFOBOX / INFOGRAPHIC) Other Winners Art Direction: Tim Yip, “Crouching Tiger, Hidden Dragon”

Cinematography: Peter Pau, “Crouching Tiger, Hidden Dragon” Costume Design: Janty Yates, “Gladiator” Documentary Feature: “Into the Arms of Strangers: Stories of the Kindertransport,” Mark

Jonathan Harris, Deborah Oppenheimer Documentary Short Subject: “Big Mama,” Tracy Seretean Film Editing: Stephen Mirrione, “Traffic” Makeup: Rick Baker, Gail Ryan, “Dr. Seuss’ How the Grinch

Stole Christmas” Original Score: Tan Dun, “Crouching Tiger, Hidden Dragon” Original Song: “Things Have Changed” from “Wonder Boys,” Bob Dylan Animated Short Film: “Father and Daughter,”

Michael Dudok de Wit Live Action Short Film: “Quiero Ser (I Want to Be . . . ),” Florian Gallenberger Sound: Scott Millan, Bob Beemer, Ken Weston, “Gladiator” Sound Editing: Jon Johnson,

“U-571” Visual Effects: John Nelson, Neil Corbould, Tim Burke, Rob Harvey, “Gladiator” Honorary Oscar for Cinematography: Jack Cardiff Honorary Oscar for Writing: Ernest Lehman Irving G.

Thalberg Memorial Award: Dino De Laurentiis MORE TO READ