Filippo nassetti + vincenzo reale's thalassic masks express contemporary identities

ARE THESE THE FACE MASKS OF THE FUTURE? artists filippo nassetti and vincenzo reale — in collaboration with stratasys, empa, haratech and creative region linz and upper austria — have

unveiled _the thalassic masks_, a project that focuses on re-thinking protective MASK.  reflecting on how our lives can be transformed by dramatic and sudden global events, the _thalassic

mask _takes a medical product and transforms it into a design statement that aims to express our contemporary identities.  THALASSIC MASKS – BIOMIMETIC DESIGN, ADDITIVE MANUFACTURING AND

PHYSIOLOGICAL ANALYSIS the COVID-19 PANDEMIC made protective masks and microbial filters an essential daily device for everyone around the world. when created, these commercials masks were

not designed for the extensive use they undergo these days and neither do they engage with the urban environment, nor do they rethink human interactive or personal expression. many believe

that the ongoing pandemic, as well as climate change and the disruption of ecological environments, such as air pollution and transformations in the atmosphere, may see protective devices

become a more essential extension of the human body in the future. drawing inspiration from marine forms, the _thalassic mask_ combines biomimetic design techniques, additive manufacturing

and physiological analysis to create a new breed of masks, as well as rethink the relationship between technology, in the form of wearable objects, and the human body. marine forms inspired

the design — hence the name _thalassic — _particularly organisms such as jellyfishes, corals and sea anemones. these organisms are able to filtrate water and extract oxygen and nutrients

from it. thanks to their inner physical structure, they act as biological filters and are capable of actively modifying the environment they live in. with this in mind, the team wanted to

embed the _thalassic masks_ with the capability of filtering the environment while highlighting how an object with a function — in this case protection — can also become a means of

self-expression. _‘the ability of filtrating the air and the environment through structure to a molecular level, such as natural organisms do, is generally very difficult to achieve with

just a simple garment,’ _COMMENTS THE OFFICIAL WEBPAGE. _‘however, thanks to technologies such as 3D printing, it is now possible to define structures in an extremely precise and controlled

manner. in thalassic’s particular case, thanks to the 3D printing techniques provided by stratasys® (Stratasys J850TM 3dFashionTM)._ _‘this way layer after layer, a 3D-printed polymer

material was deposited on a very fine chiffon fabric, with the amount of flexibility, color and structure finely controlled by digital models. thermal studies of the different human head

areas have been carried out by empa, partner of the project. the content of these maps was interpreted by digital algorithms allowing to adapt the distribution of the material on top of the

garment, and modifying the inner structure and its property in order to augment the functionality of the resulting pieces. the ability to combine advanced digital design and manufacturing

techniques, with the support data coming from experimental research, allowed thalassic to develop biomimetics methods, to emulate logics of natural systems and apply them to develop novel

products.’_ overall, the _thalassic masks_ project is the perfect blend between art, design and technology. to some extent, the collection can be seen as a possible form of human evolution,

shaped not by the slow process of biological changes, but by the extension and augmentation of the body through technology and the design of functional tools. _‘as the pandemic is changing

the world, our identities, reflected in what we wear every day, are affected by that,’ _THE TEAM CONCLUDES._ ‘in that sense the scope of the thalassic masks project goes beyond the products

themselves, but it is a reflection on how our lives are transformed by the dramatic and sudden global events of these years.’_ 1/5 PROJECT INFO: NAME: thalassic masks ARTISTS: filippo

nassetti and vincenzo reale TECHNOLOGY PARTNERS stratasys | creative director naomi kaempfer stratasys | polyjet technology expert boris belocon stratasys | demo team leader rnd testingyossi

siso stratasys | application engineerhila desheh stratasys | technology used stratasys j850™ 3dfashion™ haratech | engineer, m&p engineeringguillaume clement haratech |

prototypingchristof jakowitsch empa | senior scientistagnes psikuta fashion & technology (ufg) design expertsander hofstee REFREAM HUB LINZ creative region linz & upper austria |

manager hub linz verena traunmüller + claudia kappl creative region linz & upper austria | lead financial manager georg tremetzberger creative region linz & upper austria |

communications manager wolfgang gumplmaier-mach creative region linz & upper austria i lead project coordinatorgisa schosswohl EXTERNAL CONSULTANCY pattern prototyping: antonietta canta

tailoring: orhan london tailoring PHOTO AND VIDEO photographer: paul farnham videographer: olga kott stylist: zitafodor grooming: jessica kell talents: ayo + webster @ d1 pfion: vince @ mr

talent digital assistant: gaston torres studio: lemonade factory juliana neira I designboom nov 29, 2021