Morphosis architects: thom mayne speaks in sydney

MORPHOSIS ARCHITECTS: THOM MAYNE SPEAKS IN SYDNEY portrait © designboom FOLLOWING THE OVERWHELMING SUCCESS OF RECENT NATIONAL ARCHITECTURE CONFERENCES, AND IN PARTICULAR THE POSITIVE

RESPONSE TO THE INTERNATIONAL KEYNOTE SPEAKERS WHO APPEAR AT THE EVENTS, THE AUSTRALIAN INSTITUTE OF ARCHITECTS HAS DEVELOPED AN INTERNATIONAL SPEAKER SERIES. the series will bring

exceptional and inspiring architects from abroad to australia for talks in some of australia’s major cities. on december 14, 2010, designboom attended the event featuring pritzker prize

winning architect thom mayne. 41 cooper square, new york city all images courtesy morphosis architects mayne founded his LA based firm morphosis back in 1972 (named after the greek term,

morphosis, meaning to form or be in formation) and since then has received 25 progressive architecture awards and over 100 american institute of architects (AIA) awards. street view of  41

cooper square morphosis received the 2010 highest honor, at the AIA LA design awards’ for best in show for their project 41 cooper square in new york city for excellence in architectural

design. 41 cooper square, the new academic building for the cooper union, aspires to manifest the character, culture and vibrancy of both the 150 year-old institution and of the city in

which it was founded. the institution remains committed to peter cooper’s radically optimistic intention to provide an education ‘as free as water and air’ and has subsequently grown to

become a renowned intellectual and cultural center for the city of new york. entrance to the building the skin of the building operates on its own – constantly moving internally, the

building is conceived as a vehicle to foster collaboration and cross-disciplinary dialogue among the college’s three schools, previously housed in separate buildings. a vertical piazza – the

central space for informal social, intellectual and creative exchange – forms the heart of the new academic building. an undulating lattice envelopes a 20-foot wide grand stair which

ascends four stories from the ground level through the sky-lit central atrium, which itself reaches to the full height of the building. this vertical piazza is the social heart of the

building, providing a place for impromptu and planned meetings, student gatherings, lectures, and for the intellectual debate that defines the academic environment. the terrace garden the

grand staircase from the double-high entry lobby, the grand stair ascends four stories to terminate in a glazed double-high student lounge overlooking the city. on the fifth through ninth

floors, sky lobbies and meeting places – including a student lounge, seminar rooms, lockers, and seating areas overlooking the cityscape – are organized around the central atrium. sky

bridges span the atrium to create connections between these informal spaces. further reinforcement of the strategy to create a vibrant intellectual space is provided by the ‘skip-stop’

circulation strategy which allows for both increased physical activity and for more impromptu meeting opportunities. the primary skip-stop elevators, which make stops at the first, fifth and

eighth floors, encourage occupants to use the grand stairs and sky bridges. secondary elevators stop at each floor, both for ADA compliance and for the practical tasks of moving materials,

artworks, and equipment. looking up – the staircase in the spirit of the institution’s dedication to free, open and accessible education, the building itself is symbolically open to the

city. visual transparencies and accessible public spaces connect the institution to the physical, social and cultural fabric of its urban context. at street level, the transparent facade

invites the neighborhood to observe and to take part in the intensity of activity contained within. many of the public functions – an exhibition gallery, board room and a two-hundred -seat

auditorium – are easily accessible one level below grade. stairs become a major social space the building reverberates with light, shadow and transparency via a high performance exterior

double skin whose semi-transparent layer of perforated stainless steel wraps the building’s glazed envelope to provide critical interior environmental control, while also allowing for

transparencies to reveal the creative activity occurring within. responding to its urban context, the sculpted facade establishes a distinctive identity for cooper square. the building’s

corner entry lifts up to draw people into the lobby in a deferential gesture towards the institution’s historic foundation building. the façade registers the iconic, curving profile of the

central atrium as a glazed figure that appears to be carved out of the third avenue façade, connecting the creative and social heart of the building to the street. initial sketch of the

building the cut in the building – which connects all 12 floors model of the cut in the buildings’ facade model of the interior of the building ridhika naidoo I designboom jan 03, 2011