Provence’s santon-makers launch bid for unesco recognition

SANTONNIERS APPLY FOR LOCAL KNOW-HOW AND TRADITION TO BE GRANTED PRESTIGIOUS INTANGIBLE CULTURAL HERITAGE STATUS A bid has been launched to have Provence’s traditional santon hand-painted

nativity figures recognised by Unesco as part of the world’s cultural heritage. This would place the Christmas favourites alongside such traditions as Chinese calligraphy, Tibetan opera or

‘the gastronomic meal of the French’. An association has been formed to submit the application and is led by Sylvie Neveu-Prigent, a descendant of the first santon-maker (_santonnier_) of

Aubagne, near Marseille, Thérèse Neveu. Inscription on the Intangible Cultural Heritage lists ‘helps raise awareness among citizens and governments for heritage preservation’ and may result

in the country receiving ‘financial assistance and expert advice from the World Heritage Committee to support activities for the preservation of its sites’, according to the Unesco website.

It is a complement to the better-known World Heritage status that is given to cities, monuments or natural sites. The process, however, may take years. It took the savoir-faire of perfumery

in Grasse ten years to receive the title. The Santons de Provence – from the Provençal santon meaning ‘little saints’– hold a well-loved place in French culture: They are sold at Christmas

markets every year, decorate cribs in thousands of homes and watch over gifts at the foot of the Christmas tree on December 25. The little hand-painted clay figurines depict the people of

Provence, in their many traditional costumes and carrying humble offerings, on their way to the Nativity. They may include local characters such as a chestnut seller, water-carriers and

bakers as well as the three kings, Mary and Joseph. Sometimes, humorous or topical additions are made to the more traditional santon kinds, such as when one santon-maker added a gilet jaune

in 2019. The president Aix-Marseille-Provence Métropole and of the Bouches-du-Rhône department, Martine Vassal, said: "I support the members of the association _Savoir-faire des

santonniers de Provence_ who carry high the values, identity and history of Provence. “This approach to have the art of santon-making listed as an intangible cultural heritage by Unesco

would pay tribute to a savoir-faire that is the pride of our territory and that goes far beyond our borders." Nativity cribs have been around for centuries but making and displaying the

figurines came to be an act of rebellion at the end of the 18th century when churches were closed and mass was suppressed during the French Revolution. People would make them at home – at

the risk of the guillotine – from materials such as cloth or _papier mâché_ (a mixture of paper and paste). Marseille-born sculptor Jean-Louis Lagnel made the first clay figurine – the

santon we know today, although at the time it did not bear this name – in 1797 as he wanted them to be affordable to the general population. At the time, the figurines were luxury artefacts

made of glass or porcelain. The first santon fair took place in Marseille in 1803 on the cours Saint-Louis. Since then, santons’ popularity has grown immensely and they are now sold in the

thousands at markets across the country, especially in Provence. Now, santon-making is often a family business passed down through generations. Usually, a _santonnier_ will carve a figurine

from clay and make a two-piece plaster cast of it, which he or she will then use to make more figurines. They are dried for several weeks, fired in a kiln and hand-painted. RELATED ARTICLES

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